How Can I Straight My Hair With Wella

Rumbu 3

Here's a new song used in rumbu. In "rumbu 2", there was always a D-load on the hitch. Here there are two. To train to play this song, it is best to start with the sentence running loop at the end of the video:

Click on the partition to see the video

Initially, After an introduction, I will give you the transcript again, Kolosan plays a nice theme, wedged on a four-time measure, but which fits in the same place every time, a measure to seven times. Here's theme:

Most Powerful Desktop Pc

The right hand

The most common use is to play with a plectrum rather flexible. This may be a pick of trade, but most often, the musician cutting his plectrum in a plastic wrapper. The lids of boxes of ice cream have a good reputation. I once saw a long plectrum supple and elegant, held full hand, in the Arab fashion. He was cut in the tape plastic packages which surrounds mabawa (chicken wings). This kind of plucked East seems to be rather than mohélien Mayotte.

Colo Hassani played with the tip of the index it uses as a plectrum. Sandi has a right hand technique very special. He played with the thumb and forefinger, which sometimes allows him to combine a bass line and a melody.

A reader sent me this information:

"I also tried many strapping (you will not be spoiled for choice in the automobile industry!) 3 x 0.5 a 20 x 0.5.

I recommend cut a bevel side to have a softer side. In general, it's great and available in large quantities, but quickly loses flexibility, besides some braided structures deteriorate just as quickly, usually at the bevel. Compared to this drawback, they are the top picks (Mezrab) oud or saz from Turkey, all injected plastic flexible.

exist for some reams of paper, ribbons, 3 x 0.5. they are extremely flexible
and are better suited to the game of Yemen (including the movement ^ V fast, very abundant in taqsim.

FYI, the original Yemeni plectrum is made of a rod eagle feather, dipped in sesame oil. "

Build Abear In Roseville

Rumbu 2

Colo Hassani

To watch the video, click on the picture

After an exchange of emails with a reader, I improved my transcription system. I now propose a double transcript

Rumbu 2, ground A

Top, a tablature (TAB). The four lines represent the strings of Gabus. The figures represent the "boxes". I put quotation marks because, unlike the guitar, there are no frets on the neck of gaboussi, so no boxes. However, it puts the finger at specific locations. We hear very easily if the finger is not in the right place. These are specific points designated by the numbers. "0" is the string. "1" is what would correspond to a first box, where we put the index in general. "2" is where we put the middle finger, etc.. Watching the video is clear enough. If this is not really understandable, it should tell me and I will try to explain better.

Below, a standard notation on a staff.

is a dual transcription. Two different and complementary ways to notate music. The lines above tell you where to put the fingers and the bottom lines tell you what notes you play (if you're granted in G, otherwise it is not serious but it should serve you the tablature ).

The first musical example with the transcription system is one of many patterns used in the rumbu. Other reasons come later. It's pretty easy to play because there are many strings and it sounds great.

is the reason we hear at the beginning of the video. It is played twice. Then come the following reason:

Rumbu 2, B unit

Then again the first ground, twice. Then the following two reasons:

Rumbu 2, pattern C

It should not be a bar to recovery by the end of C is the set (CD) Whois played two Once

Rumbu 2, unit D

The song structure is: Short introduction


AA BB AA AA BB CD CD AAA AA BB ...
The last A is just mentioned. It turns into a long arabesque that ends the song.

How To Build A Coin Pusher

Rumbu

The rumbu is the form of Mayotte trumba Madagascar. This practice animist seeking to link participants with a particular Djinn. It is a nocturnal ceremony in which music plays an essential role. It is in these ceremonies that last night that the musicians Mayotte gain endurance and consistency.

Here is an example of music for rumbu. I numbers (rumbu 1, 2 ... rumbu) just to give them a name and find me. So far, no musician interviewed gave me a clear title for one of these pieces.

Click on the notes to see the video

I transcribed into 3 / 4 but the key appears to lie in the twelve sixteenths of each measure that can be combined on a single Song by three by four or six or even 5 +7

On the video, Colo. Hassani (also known Kolosan) is granted in A ♭. I transposed in G because it is more convenient. We are well myxolydien Sol, so no Fa Fa ♮ ♯ but.

The piece alternates two phrases of two measures that are played each time twice.

The first measure of the first sentence is sometimes played with a slight variation:



By the time (we do not hear on this clip) Kolosan plays a rhythmic pattern, accented by 7 +5 that stimulus although the energy of the piece:

Free Groping Hands First Auditions

a range Mayotte

Every people has its range or its preferred range (s). These are sets of sounds that, for a given people, seem to go well together. They seem to come naturally and form the basis for the music of people who chose them. They are like a musical signature of these peoples. If I play the following sentence on a Gabus,


you can feel transported somewhere between Iraq and Morocco. This effect is flying carpet because the sentence uses the notes of a range very widely practiced in the West when it is used widely in the Arab world.

Now if I play this,


you back immediately in Mayotte since I used the notes of the scale we hear most in Mayotte, one of which is used in and around the Mgodro rumbu. This range

Mayotte corresponds to what is known in western music myxolydien mode or method of Sol or the mode of the fifth degree.

To explain these words, I take an example with the C major scale as everyone knows (C, D, E, F, G, A, C). If I keep the same notes, no sharps or flats, but instead of starting to return to the Do Do, I insist on the Floor (fifth scale degree of C) so that the soil appears to be the base note, I no longer hear the C major scale. I hear the fashion myxolydien this range, I hear of Soil myxolydien and it does not sound at all in the same way as the C major scale. That's the mystery of fashion.

If now I want to hear from myxolydien Do I have to, while turning around C, that play a B ♭ instead of Si, as in the range of F which Do is the fifth degree. Not to mention

modes, one can say otherwise a range myxolydienne is like a major scale, but the seventh grade is lower than half a ton. So a major scale with a minor seventh. I would note that minor seventh ♭ VII in the following diagram which gives the fingering on the gaboussi, the range that everyone uses here.

Roman numerals correspond to the degrees of the scale (1st grade, 2nd grade ...). If you are granted Do, I will be a Do, It will be a D, the III an E, etc..

Here's what it gives with gaboussi granted Sol:


It goes without saying that very few Mahorais have never heard this term barbaric "myxolydien. They play it by ear, as generations of rockers have played this


without doubt at all that they used the same method myxolydien.

Indian Women Showing Boobs In Saree

Outline agreements




can be represented visually on the chords Gabus with small patterns, as we did for the guitar. It draws the handle, schematically, representing only the (three or) four strings. The two images above are a picture of the handle and its schematic representation. In the diagram, the double horizontal line at the top is the nut which rely on bamboo strings.

Most often, these diagrams are drawn horizontally as in the example below.





Note that the thickest string, the most serious, is the first from the bottom, because we see the race as if we posed the instrument flat on the lap, strings toward the sky.

There is to place small circles at the locations where to place your fingers. If a string is played open, there is a 0 to the left of the saddle. If a string is not played, there is an X on the left of the saddle.

Here for example the three basic chords in music Mayotte.

Agreement I

Agreement IV

Agreement V (without the third)

I called I Agreement, Accord and Accord IV V (no third), because their names depend on the tone of your gaboussi.

If you are tuned in C, I-IV-V become Do-Fa-Sol
If you are tuned in G, I-IV-V become Do-Re-Sol
If you're tuned in, I-IV The V-become-Re-Mi


etc. With these three agreements, we can accompany many songs. Soon videos to hear them ringing.

80s Aerobics Instructor Outfits

Allow gaboussi Mayotte

Example in G

are found in Mayotte gaboussi of three or four strings, sometimes some strings are doubled. But the agreement still follows the same principle. The open strings form a major chord (1-3-5 or 5-1-3-5)

Each gives according to his gaboussi voice or other instruments based on attendance. The tones are the most common A, C or G. Here's how

grant gaboussi in G, depending on the number of strings that has:

gaboussi three single strings (one grant of low to high):

Re Sol If

gaboussi four single strings. The four-stringed gaboussi agree as to those three strings with a straight extra bass. If

Re Sol Re

gaboussi with single strings and double stops:

is the same. The double strings are given in unison (they both produce the same note) and play them both at the same time as if it were only a single rope. The double strings give a richer tone with a little reverb.

Sol SiSi RERE (As if there were three strings)

Ré Sol RERE SiSi (as if there were four strings)


To give your gaboussi, you can purchase an electronic tuner. We must choose a practical model that recognizes all heights (some models are configured for tuning guitars). When you strike a string, the tuner shows the note name that captures. You then tighten or loosen the string so that it gives the note you want.

tuners display the note names in Anglo-Saxon


A = B = C = C If

D = Re E = Mi

F = Fa G = Sol


Returning to our example in G, it gives:

Three Strings: GBD



Four Strings:
DGBD


With double strings:
G BB DD (as if there were only three strings)
DG BB DD (as if there were four strings)


In Mayotte, as I said above, each gives in his gaboussi function of voice or other instruments based on attendance.

can agree in La: The
Do Mi ♯


or in C (such as Langa, who is often in C ♯) Do Mi Sol



Example The four strings (Boura Mahiya, Cho, Lathéral ...): The
Mi Do Mi ♯

Example four strings in C (Sound):
Do Sol Mi Sol